I had shot a virtual photo shoot with Cam during the COVID lockdowns. So naturally, I was ecstatic when she reached out about doing a floral shibari boudoir session for herself.
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"My photoshoot experience with Shane was so wonderful! Shane’s ability to bring forth a creative space that was fun and natural impressed me, as I tend to be a little shy in front of the camera and I was definitely unsure how to pose... During our session, I felt I could easily lean into my personality, and he captures it in his photos effortlessly.”
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Like many women I work with, A is normally is the one at the top of control in her professional life, and she was looking forward to an opportunity to experience something different. In this case, an expression of finding release and freedom through sensuality.
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A reached out to me about doing a session because her birthday was coming up, and though she had achieved a successful corporate career, she had never really dabbled in making art. So, we planned out a delightful shibari boudoir session. Read how it turned out.
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This was another shibari session at twilight with A, who I’ve worked with before. My goal with this session was to capture the feeling of the experience of tying or being tied.
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This is from a minimalist Shibari session I did with Maddie at my studio in Los Angeles. If you are reminded of the way the light strikes a crescent moon, then I am glad.
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This is a recent shibari session I did with Sarah, our first time working together. The goal was to make work that was elegant and sensual, and explore the mystery of how the ethereal aspect of our souls/personality intertwines with the flesh and blood nature of being human.
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Jessica and I have worked together several times now, and each time I have learned something new. This time, I tried techniques I had gleaned from sources documenting a traditional Japanese martial art’s style of binding with rope.
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Rock and Hawk, a poem.
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Shibari is a mysterious thing. How can the sensation of being restricted give the feeling of freedom?
Maybe it only seems like a paradox from that perspective. Lao Tzu describes the Tao, the Way, as one of yielding and “returning.” Letting things flow, like water running down a mountain into a valley. Perhaps rope bondage is simply a guide to that space of acceptance and letting go, which is a feeling that our culture tries to avoid at all costs. I don’t know if that is a good thing or a bad thing. Maybe it is neither. It is also possible that the appearance of conflict arises simply because our minds, overwrought with puritanical doctrine, want an explanation deeper than “touch feels good,” as if that wasn’t profound enough.
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Jessica writes: It was such a pleasure to work with Shane. Before we started we talked about my boundaries. He listened and helped guide me through out our shoot. Watching him tie was very intriguing and relaxing. I felt so at ease the whole time. As we shot he would show me what we had shot and I couldn’t believe it was me. He captures you perfectly and elegantly. Looking forward to shooting again.
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This boudoir session with Tiffany took place just as winter was starting to end in Los Angeles, though it may look like summer to folks elsewhere in the world. The session itself was effortless, I truly believe that when photographer and subject are in sync, soulful photographs are as natural as sunshine.
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This is kind of a special one.
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New shibari work with Svetlana. We had an interesting discussion about sensuality and how it is perceived, which got me thinking about who the intended audience is for a given artwork, as opposed to simply a viewer.
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Nathalie and I decided to do another virtual session, since travel is still limited and she’s currently living in Europe. I woke up early in the morning here in Los Angeles to catch the late afternoon in her time zone (nobody said being a photographer was easy). As the shoot went on, Nathalie became more confident in herself and got into her groove, barely needing any direction from me.
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Nathalie and I met when I was living in Tokyo in 2017. We only had a brief window of opportunity to work together, so, I did what I always do: I improvised.
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Like any art, shibari is a way to express one’s self with another, and for me it is a gentle art that is primarily about communion. It demands deep trust and a high degree of communication from both the one casting rope and the one being bound, and it can reward a powerful experience. This work is an exploration of that and an attempt to convey what that bond feels like in that moment.
So, that being said, I’d like to present to you what happens when you bring together two people with soft rope, fresh flowers, a camera, and some of that beautiful Los Angeles sunshine.
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